»óǰ ¾È³» ¹× ȯºÒ, ±³È¯, ¹è¼Û¹®ÀÇ | |
- °¡°Ô ÀüȹøÈ£ : | 1544-1900 |
- Àüȹ®ÀÇ ½Ã°£ : |
¿ÀÀü 9½ÃºÎÅÍ ¿ÀÈÄ 6½Ã±îÁö (¸ÅÁÖ ¿ù¿äÀÏ, È¿äÀÏ, ¼ö¿äÀÏ, ¸ñ¿äÀÏ, ±Ý¿äÀÏ, °øÈÞÀÏ Á¦¿Ü) |
- °¡°Ô À̸ÞÀÏ : | ink@kyobobook.co.kr |
- ÀÌ¿ë Åùèȸ»ç : | CJ´ëÇÑÅë¿î |
ÆÇ¸Å°¡°ÔÁ¤º¸ |
|
- »ç¾÷ÀÚ¸í : | (ÁÖ)±³º¸¹®°í |
- »ç¾÷ÀÚµî·Ï¹øÈ£ : | 102-81-11670 |
- Åë½ÅÆÇ¸Å¾÷½Å°í : | 01-0653 |
- Çö±Ý¿µ¼öÁõ : ¹ß±Þ°¡´É |
|
ÀüÈÁÖ¹® ¹× °áÁ¦¹®ÀÇ |
|
- ²ÉÇÇ´Â ¾ÆÄ§¸¶À» : | 1644-8422 |
°¡°Ô¿Í Á÷°Å·¡¸¦ ÇÏ½Ã¸é ²É¼ÛÀÌ Àû¸³ ¹× °¢Á¾ ÇýÅÿ¡¼ Á¦¿ÜµÇ°í, ¸¸ÀÏÀÇ ¹®Á¦°¡ ¹ß»ýÇÏ´Â °æ¿ì¿¡µµ ²É¸¶ÀÇ µµ¿òÀ» ¹ÞÀ¸½Ç ¼ö ¾ø½À´Ï´Ù. °¡°ÔÀÇ ºÎ´çÇÑ ¿ä±¸, ºÒ°øÁ¤ ÇàÀ§ µî¿¡ ´ëÇØ¼µµ ²É¸¶·Î Á÷Á¢ ÀüÈÁÖ¼¼¿ä. |
»ó¼¼Á¤º¸ | ±¸¸ÅÈıâ (0) | »óǰ Q&A (0) | ¹è¼Û/±³È¯/ȯºÒ ¾È³» |
Ã¥¼Ò°³¡á About C
Magazine C, co-created by Grandeclip and brand-based periodical Magazine B, is a documentary magazine that focuses on one iconic chair in every issue, introducing the design and lifestyle people build around it. Through a deep dive into the industry and chairs of all kinds-from ones seen on the street to icons that have shaped public spaces-Magazine C aims to shine a light on designers, brands, manufacturers, collectors, and chair enthusiasts, as well as uncover how each design has changed contemporary life.
Grandeclip is a startup launched by Bongjin Kim, the founder of Korean food delivery platform Baemin. Under the business ethos of ¡°Do small things in a great way,¡± Grandeclip endeavors to discover and highlight the value of seemingly small or everyday things-like a clip.
¡á About the 3rd Issue of C
The Louis Ghost chair, designed by Philippe Starck and produced by Italian furniture maker Kartell in 2002, is an exceptional, globally renowned chair that is elegant, sturdy, lightweight, and transparent. Drawing inspiration from the 18th-century baroque style, it features a classic design and innovative use of single-mold transparent polycarbonate. And while this armchair may be transparent, its presence is clear and bold as a timeless, iconic piece of furniture. Rather than harnessing extravagant details, however, it offers a quiet beauty that complements any space. The Louis Ghost chair¡¯s versatile, high-quality plastic design has earned it lasting fame and continues to be a worldwide favorite.
Magazine C is a chair documentary magazine made by grandeclip, building upon the brand of Magazine B. Starting with a single iconic chair, Magazine C encompasses design, lifestyle, and industry. The criteria for selecting iconic chairs as our main theme are as follows: Originality in configurations Implementation of innovative technology Innovational presence in the industry Influences on public lifestyle.
»ó¼¼À̹ÌÁö![]() ¸ñÂ÷02 Intro
08 Letter From C
A word from the publisher
12 Quotes
Philippe Starck¡¯s words that penetrate the essence of objects and phenomena.
14 4 Cities, 4 Homes
From the holiday retreat of Salento in Southern Italy to the trendsetting home of Seoul, the Louis Ghost effortlessly complements any living space-be it classic or modern, urban or natural, luxurious or modest-while still making its presence felt.
Salento, Uli Weber / Photographer
Paris, Sylvie Adigard / Design Journalist
Surrey, Karen Nicol & Peter Clark / Artist
Seoul, Jeewoo Yang / Architect
52 Creator Interview, Philippe Starck
An interview with Philippe Starck, who continuously raises profound questions about humanity, the evolution of technology, and the future through design.
60 Designer, Philippe Starck
The life and philosophy of Philippe Starck, who creates spaces that evoke surprise, sparks conversations with witty designs, and embeds serious beliefs in his creations.
68 Iconic Chair
Louis Ghost, a fusion of Philippe Starck¡¯s classic design, Kartell¡¯s manufacturing expertise, and the groundbreaking idea of using polycarbonate, a material known for its transparency and durability.
74 Starck Network
Philippe Starck¡¯s innovative designs have attracted top furniture brands, leading to global collaborations and the Starck Network.
81 About Kartell
Kartell, which ushered in an era of lightweight, neat, and durable plastic furniture with its leading technology and insight.
88 Special Interview
Kartell CEO Claudio Luti handpicked Philippe Starck to design the company's transparent polycarbonate chairs. Their strong partnership led to the creation of the Louis Ghost, Kartell¡¯s best-selling and most copied chair. At his Milan home, Luti discussed the design with C.
98 Kartell Mission
Kartell¡¯s iconic products embody the company¡¯s three core values: production, design, and material.
104 Digest
The legacy of Kartell, which set new standards for plastic furniture and the values that define ¡®Made in Italy¡¯ today.
108 Opinion
Philippe Starck's design as told by Matali Crasset, a leading French designer.
114 Starckpedia
Here is a list of iconic designs by Philippe Starck, who has showcased more than 10,000 items to date, including daily necessities like dental floss and crew quarter modules for the International Space Station, approximately 400 km (about 249 miles) from Earth.
128 Opinion
Jousse Entreprise founder Philippe Jousse, along with curators Matthias Jousse and Guillaume de Casson, experienced firsthand Starck¡¯s concept of ¡°new life¡± in the 1980s. Through their testimonies, they vividly capture the transformation and vitality of urban culture, the design scene, and the furniture industry.
136 Starck Collectors
Once adorning hotel lobbies, clubs, and caf?s, Philippe Starck's works have now found their place in collectors' living rooms and gallery exhibition halls.
146 Opinion
Charlotte and Peter Fiell, acclaimed design critics, introduce the Louis Ghost chair as a prime example of successful structural unification-a key concept in chair design-and call it an iconic piece that rediscovered the incredible potential of plastic in design.
152 Starck in Paris
Hotels and restaurants in Paris designed by Philippe Starck.
168 New Wave
Uchronia and Niceworkshop, presenting designs that stimulate users' creative senses and actions.
174 Chairpunk
Designer Seungbin Yang puts his own twist on the Louis Ghost.
176 Chair Index
My favorite chair
178 Outro |
±³È¯ ¹× ȯºÒ °¡´É |
»óǰ¿¡ ¹®Á¦°¡ ÀÖÀ» °æ¿ì |
1) »óǰÀÌ Ç¥½Ã/±¤°íµÈ ³»¿ë°ú ´Ù¸£°Å³ª ºÒ·®(ºÎÆÐ, º¯Áú, ÆÄ¼Õ, Ç¥±â¿À·ù, À̹°È¥ÀÔ, Áß·®¹Ì´Þ)ÀÌ ¹ß»ýÇÑ °æ¿ì - ½Å¼±½Äǰ, ³ÃÀå½Äǰ, ³Ãµ¿½Äǰ : ¼ö·ÉÀÏ ´ÙÀ½³¯±îÁö ½Åû - ±âŸ »óǰ : ¼ö·ÉÀϷκÎÅÍ 30ÀÏ À̳», ±× »ç½ÇÀ» ¾È ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳» ½Åû 2) ±³È¯ ¹× ȯºÒ½Åû ½Ã ÆÇ¸ÅÀÚ´Â »óǰÀÇ »óŸ¦ È®ÀÎÇÒ ¼ö ÀÖ´Â »çÁøÀ» ¿äûÇÒ ¼ö ÀÖÀ¸¸ç »óǰÀÇ ¹®Á¦ Á¤µµ¿¡ µû¶ó Àç¹è¼Û, ÀϺÎȯºÒ, ÀüüȯºÒÀÌ ÁøÇàµË´Ï´Ù. ¹Ýǰ¿¡ µû¸¥ ºñ¿ëÀº ÆÇ¸ÅÀÚ ºÎ´ãÀ̸ç ȯºÒÀº ¹ÝǰµµÂøÀϷκÎÅÍ ¿µ¾÷ÀÏ ±âÁØ 3ÀÏ À̳»¿¡ ¿Ï·áµË´Ï´Ù. |
´Ü¼øº¯½É ¹× ÁÖ¹®Âø¿ÀÀÇ °æ¿ì |
1) ½Å¼±½Äǰ, ³ÃÀå½Äǰ, ³Ãµ¿½Äǰ ÀçÆÇ¸Å°¡ ¾î·Á¿î »óǰÀÇ Æ¯¼º»ó, ±³È¯ ¹× ȯºÒÀÌ ¾î·Æ½À´Ï´Ù. 2) ÈÀåǰ ÇǺΠƮ·¯ºí ¹ß»ý ½Ã Àü¹®ÀÇ Áø´Ü¼ ¹× ¼Ò°ß¼¸¦ Á¦ÃâÇϽøé ȯºÒ °¡´ÉÇÕ´Ï´Ù. ÀÌ °æ¿ì Á¦¹Ýºñ¿ëÀº ¼ÒºñÀÚ ºÎ´ãÀ̸ç, ¹è¼Ûºñ´Â ÆÇ¸ÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù. ÇØ´ç ÈÀåǰ°ú ÇǺΠƮ·¯ºí°úÀÇ »ó´çÇÑ Àΰú°ü°è°¡ ÀÎÁ¤µÇ´Â °æ¿ì ¶Ç´Â Áúȯġ·á ¸ñÀûÀÇ °æ¿ì¿¡´Â Áø´Ü¼ ¹ß±Þºñ¿ëÀ» ÆÇ¸ÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù. 3) ±âŸ »óǰ ¼ö·ÉÀϷκÎÅÍ 7ÀÏ À̳» ½Åû, ¿Õº¹¹è¼Ûºñ´Â ¼ÒºñÀÚ ºÎ´ã 4) ¸ð´ÏÅÍ ÇØ»óµµÀÇ Â÷ÀÌ·Î »ö»óÀ̳ª À̹ÌÁö°¡ ´Ù¸¥ °æ¿ì ´Ü¼øº¯½É¿¡ ÀÇÇÑ ±³È¯ ¹× ȯºÒÀÌ Á¦ÇÑµÉ ¼ö ÀÖ½À´Ï´Ù. |
|
±³È¯ ¹× ȯºÒ ºÒ°¡ |
1) ½Åû±âÇÑÀÌ Áö³ °æ¿ì 2) ¼ÒºñÀÚÀÇ °ú½Ç·Î ÀÎÇØ »óǰ ¹× ±¸¼ºÇ°ÀÇ Àüü ¶Ç´Â ÀϺΰ¡ ¾ø¾îÁö°Å³ª ÈѼÕ, ¿À¿°µÇ¾úÀ» °æ¿ì 3) °³ºÀÇÏ¿© ÀÌ¹Ì ¼·ÃëÇÏ¿´°Å³ª »ç¿ë(Âø¿ë ¹× ¼³Ä¡ Æ÷ÇÔ)ÇØ »óǰ ¹× ±¸¼ºÇ°ÀÇ °¡Ä¡°¡ ¼Õ»óµÈ °æ¿ì 4) ½Ã°£ÀÌ °æ°úÇÏ¿© »óǰÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì 5) »ó¼¼Á¤º¸ ¶Ç´Â »ç¿ë¼³¸í¼¿¡ ¾È³»µÈ ÁÖÀÇ»çÇ× ¹× º¸°ü¹æ¹ýÀ» ÁöŰÁö ¾ÊÀº °æ¿ì 6) »çÀü¿¹¾à ¶Ç´Â ÁÖ¹®Á¦ÀÛÀ¸·Î ÅëÇØ ¼ÒºñÀÚÀÇ ÁÖ¹®¿¡ µû¶ó °³º°ÀûÀ¸·Î »ý»êµÇ´Â »óǰÀÌ ÀÌ¹Ì Á¦ÀÛÁøÇàµÈ °æ¿ì 7) º¹Á¦°¡ °¡´ÉÇÑ »óǰ µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì 8) ¸À, Çâ, »ö µî ´Ü¼ø ±âÈ£Â÷ÀÌ¿¡ ÀÇÇÑ °æ¿ì |