| »óǰ ¾È³» ¹× ȯºÒ, ±³È¯, ¹è¼Û¹®ÀÇ | |
| - °¡°Ô ÀüȹøÈ£ : | 1544-1900 |
| - Àüȹ®ÀÇ ½Ã°£ : |
¿ÀÀü 9½ÃºÎÅÍ ¿ÀÈÄ 6½Ã±îÁö (¸ÅÁÖ ¿ù¿äÀÏ, È¿äÀÏ, ¼ö¿äÀÏ, ¸ñ¿äÀÏ, ±Ý¿äÀÏ, °øÈÞÀÏ Á¦¿Ü) |
| - °¡°Ô À̸ÞÀÏ : | ink@kyobobook.co.kr |
| - ÀÌ¿ë Åùèȸ»ç : | CJ´ëÇÑÅë¿î |
|
ÆÇ¸Å°¡°ÔÁ¤º¸ |
|
| - »ç¾÷ÀÚ¸í : | (ÁÖ)±³º¸¹®°í |
| - »ç¾÷ÀÚµî·Ï¹øÈ£ : | 102-81-11670 |
| - Åë½ÅÆÇ¸Å¾÷½Å°í : | 01-0653 |
|
- Çö±Ý¿µ¼öÁõ : ¹ß±Þ°¡´É |
|
|
ÀüÈÁÖ¹® ¹× °áÁ¦¹®ÀÇ |
|
| - ²ÉÇÇ´Â ¾ÆÄ§¸¶À» : | 1644-8422 |
|
°¡°Ô¿Í Á÷°Å·¡¸¦ ÇÏ½Ã¸é ²É¼ÛÀÌ Àû¸³ ¹× °¢Á¾ ÇýÅÿ¡¼ Á¦¿ÜµÇ°í, ¸¸ÀÏÀÇ ¹®Á¦°¡ ¹ß»ýÇÏ´Â °æ¿ì¿¡µµ ²É¸¶ÀÇ µµ¿òÀ» ¹ÞÀ¸½Ç ¼ö ¾ø½À´Ï´Ù. °¡°ÔÀÇ ºÎ´çÇÑ ¿ä±¸, ºÒ°øÁ¤ ÇàÀ§ µî¿¡ ´ëÇØ¼µµ ²É¸¶·Î Á÷Á¢ ÀüÈÁÖ¼¼¿ä. |
|
| »ó¼¼Á¤º¸ | ±¸¸ÅÈıâ (0°³) | »óǰ Q&A (0) | ¹è¼Û/±³È¯/ȯºÒ ¾È³» |
Ã¥¼Ò°³¡ºµðÁöÅÐ ¹Ùµð: ´º ¹Ìµð¾î ¾ÆÆ®(2018)¡»´Â CICA ¹Ì¼ú°ü ±è¸®Áø ¾ÆÆ®µð·ºÅͰ¡ ±âȹÇÑ ¡®New Media Art¡¯ ½Ã¸®Áî ºÏÀÇ ¼¼ ¹øÂ° È£·Î, Àü ¼¼°è¿¡¼ µÎ°¢À» ³ªÅ¸³»°í ÀÖ´Â 43¸íÀÇ ´º¹Ìµð¾î ¾ÆÆ¼½ºÆ® ±×·ì°ú Æò·Ð°¡µéÀÇ ¿µ¾î ¿ø¹®°ú ÇÑ±Û ¹ø¿ªº» ¹× 2017 Á¦1ȸ CICA ´º ¹Ìµð¾î ¾ÆÆ® ±¹Á¦ ÄÁÆÛ·±½º ¸®ºä¸¦ ½Æ°í ÀÖ´Ù.
»ó¼¼À̹ÌÁö![]() ÀúÀÚ¼Ò°³ÀúÀÚ : ±è¸®Áø
ÀúÀÚ ±è¸®ÁøÀº ¾ÆÆ® µð·ºÅÍÀÌÀÚ ¾ÆÆ¼½ºÆ®·Î ´º ¹Ìµð¾î ¾ÆÆ®¿Í ½Ã°¢ ¹®È ¿¬±¸¸¦ Áß½ÉÀ¸·Î ÇÁ·ÎÁ§Æ®¸¦ ÁøÇà ÁßÀÌ´Ù. ¼¿ï´ëÇб³¿¡¼ Á¶¼Ò¸¦ Àü°øÇÏ°í ¹Ì±¹ Ææ½Çº£´Ï¾Æ ´ëÇпø¿¡¼ ´º¹Ìµð¾î¿Í Á¶¼Ò¸¦ °øºÎÇÏ¿´´Ù. ÀÌÈÄ ¹öÁö´Ï¾Æ Ä¿¸ÕÀ£½º ´ëÇп¡¼ Media, Art, and Text Àü°øÀ¸·Î ¹Ú»ç¸¦ ÃëµæÇÏ¿´´Ù. 2014³âºÎÅÍ CICA ¹Ì¼ú°ü¿¡¼ ¾ÆÆ® µð·ºÅÍ·Î ±Ù¹«Çϸé¼, CICA ´º ¹Ìµð¾î ¾ÆÆ® ÃâÆÇ ¹× ±¹Á¦Àü, ¾ÆÆ® ¿»·Î ºÏ, ¾ÆÆ¼½ºÆ® ½ºÅ×ÀÌÆ®¸ÕÆ® µî°ú °°Àº ´Ù¾çÇÑ ½ÇÇè ÃâÆÇ ¹× ±¹Á¦ÀüÀ» ±âȹÇÏ¿´´Ù. ±×³à°¡ 2014³â ±âȹÇÑ ¡°1956-1957 Çѱ¹¡± »çÁøÀüÀº KBS ´º½º¿Í ·Ð¸® Ç÷¹´Ö ¸Å°ÅÁø ÄÚ¸®¾Æ µîÀ» Æ÷ÇÔÇÑ ¾ð·Ð¿¡ º¸µµµÇ¾ú´Ù. 2017³â¿¡´Â ±èÆ÷½ÃÀÇ ÈÄ¿øÀ¸·Î Á¦ 1ȸ CICA ´º ¹Ìµð¾î ±¹Á¦ ÄÁÆÛ·±½º¸¦ ±âȹ, °³ÃÖ ÇÏ¿´´Ù. ¾ÆÆ® µð·ºÅͷΠȰµ¿ Àü¿¡´Â, »ó¸í´ëÇб³¿Í ¹öÁö´Ï¾Æ Ä¿¸ÕÀ£½º ´ëÇÐ, ¿¬¼¼´ëÇб³ ¾ð´õ¿ìµå±¹Á¦´ëÇп¡¼ ¹Ì¼úÀü°ø °ú¸ñ ¹× ¿¬ÇÕ°ú¸ñµéÀ» °¡¸£ÃÆ´Ù.
¸ñÂ÷Intro ... 9
New Media Art: A New Flow by the New ... 10
Pierre Chaumont ... 14
Justin Lincoln ... 20
Morgan Jenks ... 24
Anatoly Rudakov ... 28
S/N (Jennida Chase and Hassan Pitts) ... 32
Kay Yoon ... 36
Justyna Adamczyk ... 40
Maryamsadat Amirvaghefi ... 44
Alfredo Ardia ... 48
Whitney Bandel ... 52
D S Chapman ... 56
Jessica Dolence ... 60
Ben Ehrmann ... 64
Kun Fang ... 68
Eona Jiawei Gao ... 72
Inbar Hagai ... 76
Mary Hanlon ... 80
Maggie Hazen ... 84
Peter Hriso ... 90
Daniel Johnson ... 94
Kevin H. Jones ... 98
Norman Klein & Margo Bistis ... 102
Alyona Larionova ... 108
Gili Lavy ... 112
Wayne Madsen ... 116
Kushtrim Mehmeti ... 120
Tracy Miller-Robbins ... 124
John Mutter ... 128
Vasilios Papaioannu ... 132
Mikey Peterson ... 136
Pat Reynolds ... 140
Mike Richison ... 146
Elissavet Sfyri ... 150
Matt Sheridan ... 154
Christian Tablazon .. 158
Kamil Tatara ... 162
Jessica Tsang ... 166
Leah Uchitel ... 170
Jeffrey Yip ... 174
Taylor Yocom ... 178
Liliya Zalevskaya ... 182
Ã¥¼ÓÀ¸·Î¼¹®
¾ÆÆ¼½ºÆ®µéÀ» Á¢Çϸé Á¢ÇÒ¼ö·Ï ±× ±íÀ̰¨¿¡ °¨ÅºÇÑ´Ù. ±×µéÀÇ ÀÛǰ°ú »ý°¢µéÀ» Á¢ÇÏ¸ç ³ª´Â »îÀ» º¸´Ù ±íÀÌ À½¹ÌÇÏ´Â ¹ýÀ» ¹è¿ü´Ù. ¹ãÇϴÿ¡ ¹«¼öÇÑ º°Ã³·³, Àû¸· ¼Ó¿¡¼ ÀÛÀº ºûÀ» °¡¸¸È÷ ¹Ù¶óº¼ ¶§ ºñ·Î¼Ò ±×µéÀº ±×µéÀÇ ¼¼°è¸¦ ¿¬´Ù. µðÁöÅÐ ¹Ùµð: ´º ¹Ìµð¾î ¾ÆÆ® 2018Àº 43¸íÀÇ Àü ¼¼°è ´º ¹Ìµð¾î ¾ÆÆ¼½ºÆ®µéÀÇ ÀÛǰ ¼¼°è¸¦ ¼Ò°³ÇÑ´Ù. ±×µéÀº °¢ÀÚÀÇ Çö½ÇÀ» ¿Á¤ÀûÀ¸·Î ÀçÇöÇØ³»°í »ó¡ÈÇÑ´Ù. µ¶ÀÚ°¡ ¾ÆÆ¼½ºÆ®µé °¢ÀÚÀÇ °íÀ¯ÀÇ ¼¼°è¸¦ Á¢ÇÏ¸ç µðÁöÅÐ ½Ã´ëÀÇ »õ·Î¿î ¹®È¸¦ ÇâÀ¯ÇÏ´Â ÀåÀÌ µÇ¾úÀ¸¸é ÇÑ´Ù. - ±è¸®Áø ÃâÆÇ»ç ¼Æò"¿¹¼ú°¡·Î¼, Àǹ̴ °á±¹ ¿ì¸®¿¡°Ô Áß¿äÇÑ °ÍÀÌ µÈ´Ù...±×·¯³ª ºñÆ®ÀÇ ½ÅÈ£³ª ¾Æ³¯·Î±× Á¤º¸°¡ ¿¹¼úÁ¦ÀÛÀÇ ±æÀ» Åë°úÇÔ¿¡ µû¶ó ÀÛǰÀ» ¸¸µé ¶§ ¿ì¸®´Â Á¾Á¾ Àǹ̸¦ ¹Ì°á·Î ³²°ÜµÐ´Ù."
"As artists, in the end, meaning matters to us¡¦.but as we make our work we often hold meaning in suspension as the signal of bits or analog information passes through the lines of art production."
- Justin Lincoln, " Artist as Noise Source¡°
"Á×À½Àº ¸öÀ» Áö¹èÇϰí ÀÖ´ø Ç¥¸éÀÌ Á¡µé·Î ÇØÃ¼µÇ´Â ±Ùº»ÀûÀ̸ç ÇÇÇÒ ¼ö ¾ø´Â Çö»óÀÌ´Ù. ¼±Àº »î°ú Á×À½À» ±¸º°ÇÏ´Â º»¿¬¿¡ ´ëÇÑ »ó¡Àû ¾ÆÀÌÄÜÀÌ´Ù."
"Death is a radical and inevitable phenomenon that all surface once dominated one's body is broken down into points. Line is a symbolic icon of essence that distinguishes life and death."
- Kay Yoon, "1. Death and symbol"
"¿µÈ ¼Ó ¿©¼ºÀ» ÇâÇÑ Æø·ÂÀº ¸ðµç ½Ã±â ¸ðµç À帣 ¼Ó¿¡ Á¸ÀçÇØ ¿Ô´Ù...Æø·ÂÀº ¿£ÅÍÅ×ÀÎ¸ÕÆ®¶ó´Â ¸í¸ñÀ¸·Î ÃÖ¼ÒÈµÇ¾î ¸ÚÁø ¸ÂÃã¿ÊÀ¸·Î ÀÔÇôÁø Ȳ±Ý µ¿»óÀ¸·Î °ü°´¿¡°Ô ¼±º¸¿©Áø´Ù."
"Violence towards women in film lives in every genre from every decade... It is draped in couture and handed smooth golden statues, minimized because it exists within the boundaries of entertainment."
- Mary Hanlon, "The Veritas Technique"
"...¿ì¸®°¡ ÀÎÅÍ³Ý ¼ÇÎÀ» ÅëÇØ ¹Þ¾ÆµéÀÌ´Â ¼ö¸¹Àº ½Ã°¢Àû Á¤º¸µéÀº »ç½Ç»ó ¿ì¸®¿¡°Ô ½Å¼ÓÇÑ ºÎÁÖÀÇÇÔÀ» ¿ä±¸ÇØ. ±×°Ô ¾Æ´Ï¸é ¿ì¸®´Â © (Honey Boo Boo gif)ÀÇ ¹®ÈÀû ¹× °³ÀÎÀû ÆÄ±Þ·Â¿¡ ¾ÐµµµÇ¾î ¹ö¸®°ÚÁö... ÀÌ ½Ã¸®Á ¹Ù¶óº¸¸é¼ °ü¶÷ÀÚ´Â ÇÎÅ©»öÀ¸·Î µÚµ¤Àº ÀÌ ³²ÀÚ°¡ º®¿¡ ÀÚ½ÅÀÇ ¸Ó¸®¸¦ Ä¡´Â ¸ð½À°ú ÇѹãÁß¿¡ Åο¡ ³ ÅÐÀ» ¹«³ä¹«»óÀ¸·Î »Ì´Â ÀÚ±â ÀÚ½ÅÀÌ ¹«¾ùÀÌ ´Ù¸¥°¡¿¡ ´ëÇÑ °ÅºÏÇÑ Áú¹®À» ´øÁö°Ô µÈ´Ù."
"...The amount of visual content that we are subjected to through our internet usage practically demands swift thoughtlessness: otherwise we would all keel over trying to figure out the cultural and personal ramifications of some Honey Boo Boo gif...Sitting through the series, a viewer may begin to uneasily wonder, what is the difference between this pink painted man banging his head on the wall and myself, mindlessly plucking out chin hairs in front of the mirror late at night?"- Joy Miller's review on Ben Ehrmann's "Pink Face Series"
"The scream is not yours. It is not you who speaks; it is your countless ancestors. It is not you who craves; countless generations of ancestors crave through your own heart."
"ºñ¸íÀº ³× °ÍÀÌ ¾Æ´Ï´Ù. ¸»ÇÏ´Â °ÍÀº ³×°¡ ¾Æ´Ï´Ù. ³× ¼ö¸¹Àº Á¶»óÀÌ´Ù. ³×°¡ °¥¸ÁÇÏ´Â °ÍÀÌ ¾Æ´Ï´Ù. ¼¿ ¼ö ¾øÀÌ ¸¹Àº ¼¼´ëÀÇ Á¶»óÀÌ ³× ¸¶À½À» ÅëÇØ °¥¸ÁÇÑ °ÍÀ̶ó. "
- Elissavet Sfyri, "Practicing"
¡®µðÁöÅÐ ¹Ùµð: ´º ¹Ìµð¾î ¾ÆÆ® 2018¡¯´Â ±¹³» ÁÖ¿ä ¼Á¡ ¹× ÇØ¿Ü ¾Æ¸¶Á¸ »çÀÌÆ®¿¡¼ °ð ¸¸³ªº¼ ¼ö ÀÖ´Ù. ÀÚ¼¼ÇÑ »çÇ×Àº ¹Ì¼ú°ü ȨÆäÀÌÁö (www.cicamuseum.com) ¿¡¼ ã¾Æº¼ ¼ö ÀÖ´Ù. (¹®ÀÇ: cicamuseum.com/contact) |
| ±³È¯ ¹× ȯºÒ °¡´É |
»óǰ¿¡ ¹®Á¦°¡ ÀÖÀ» °æ¿ì |
1) »óǰÀÌ Ç¥½Ã/±¤°íµÈ ³»¿ë°ú ´Ù¸£°Å³ª ºÒ·®(ºÎÆÐ, º¯Áú, ÆÄ¼Õ, Ç¥±â¿À·ù, À̹°È¥ÀÔ, Áß·®¹Ì´Þ)ÀÌ ¹ß»ýÇÑ °æ¿ì - ½Å¼±½Äǰ, ³ÃÀå½Äǰ, ³Ãµ¿½Äǰ : ¼ö·ÉÀÏ ´ÙÀ½³¯±îÁö ½Åû - ±âŸ »óǰ : ¼ö·ÉÀϷκÎÅÍ 30ÀÏ À̳», ±× »ç½ÇÀ» ¾È ³¯ ¶Ç´Â ¾Ë ¼ö ÀÖ¾ú´ø ³¯·ÎºÎÅÍ 30ÀÏ À̳» ½Åû 2) ±³È¯ ¹× ȯºÒ½Åû ½Ã ÆÇ¸ÅÀÚ´Â »óǰÀÇ »óŸ¦ È®ÀÎÇÒ ¼ö ÀÖ´Â »çÁøÀ» ¿äûÇÒ ¼ö ÀÖÀ¸¸ç »óǰÀÇ ¹®Á¦ Á¤µµ¿¡ µû¶ó Àç¹è¼Û, ÀϺÎȯºÒ, ÀüüȯºÒÀÌ ÁøÇàµË´Ï´Ù. ¹Ýǰ¿¡ µû¸¥ ºñ¿ëÀº ÆÇ¸ÅÀÚ ºÎ´ãÀ̸ç ȯºÒÀº ¹ÝǰµµÂøÀϷκÎÅÍ ¿µ¾÷ÀÏ ±âÁØ 3ÀÏ À̳»¿¡ ¿Ï·áµË´Ï´Ù. |
|
´Ü¼øº¯½É ¹× ÁÖ¹®Âø¿ÀÀÇ °æ¿ì |
1) ½Å¼±½Äǰ, ³ÃÀå½Äǰ, ³Ãµ¿½Äǰ ÀçÆÇ¸Å°¡ ¾î·Á¿î »óǰÀÇ Æ¯¼º»ó, ±³È¯ ¹× ȯºÒÀÌ ¾î·Æ½À´Ï´Ù. 2) ÈÀåǰ ÇǺΠƮ·¯ºí ¹ß»ý ½Ã Àü¹®ÀÇ Áø´Ü¼ ¹× ¼Ò°ß¼¸¦ Á¦ÃâÇϽøé ȯºÒ °¡´ÉÇÕ´Ï´Ù. ÀÌ °æ¿ì Á¦¹Ýºñ¿ëÀº ¼ÒºñÀÚ ºÎ´ãÀ̸ç, ¹è¼Ûºñ´Â ÆÇ¸ÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù. ÇØ´ç ÈÀåǰ°ú ÇǺΠƮ·¯ºí°úÀÇ »ó´çÇÑ Àΰú°ü°è°¡ ÀÎÁ¤µÇ´Â °æ¿ì ¶Ç´Â Áúȯġ·á ¸ñÀûÀÇ °æ¿ì¿¡´Â Áø´Ü¼ ¹ß±Þºñ¿ëÀ» ÆÇ¸ÅÀÚ°¡ ºÎ´ãÇÕ´Ï´Ù. 3) ±âŸ »óǰ ¼ö·ÉÀϷκÎÅÍ 7ÀÏ À̳» ½Åû, ¿Õº¹¹è¼Ûºñ´Â ¼ÒºñÀÚ ºÎ´ã 4) ¸ð´ÏÅÍ ÇØ»óµµÀÇ Â÷ÀÌ·Î »ö»óÀ̳ª À̹ÌÁö°¡ ´Ù¸¥ °æ¿ì ´Ü¼øº¯½É¿¡ ÀÇÇÑ ±³È¯ ¹× ȯºÒÀÌ Á¦ÇÑµÉ ¼ö ÀÖ½À´Ï´Ù. |
|
| ±³È¯ ¹× ȯºÒ ºÒ°¡ |
1) ½Åû±âÇÑÀÌ Áö³ °æ¿ì 2) ¼ÒºñÀÚÀÇ °ú½Ç·Î ÀÎÇØ »óǰ ¹× ±¸¼ºÇ°ÀÇ Àüü ¶Ç´Â ÀϺΰ¡ ¾ø¾îÁö°Å³ª ÈѼÕ, ¿À¿°µÇ¾úÀ» °æ¿ì 3) °³ºÀÇÏ¿© ÀÌ¹Ì ¼·ÃëÇÏ¿´°Å³ª »ç¿ë(Âø¿ë ¹× ¼³Ä¡ Æ÷ÇÔ)ÇØ »óǰ ¹× ±¸¼ºÇ°ÀÇ °¡Ä¡°¡ ¼Õ»óµÈ °æ¿ì 4) ½Ã°£ÀÌ °æ°úÇÏ¿© »óǰÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì 5) »ó¼¼Á¤º¸ ¶Ç´Â »ç¿ë¼³¸í¼¿¡ ¾È³»µÈ ÁÖÀÇ»çÇ× ¹× º¸°ü¹æ¹ýÀ» ÁöŰÁö ¾ÊÀº °æ¿ì 6) »çÀü¿¹¾à ¶Ç´Â ÁÖ¹®Á¦ÀÛÀ¸·Î ÅëÇØ ¼ÒºñÀÚÀÇ ÁÖ¹®¿¡ µû¶ó °³º°ÀûÀ¸·Î »ý»êµÇ´Â »óǰÀÌ ÀÌ¹Ì Á¦ÀÛÁøÇàµÈ °æ¿ì 7) º¹Á¦°¡ °¡´ÉÇÑ »óǰ µîÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì 8) ¸À, Çâ, »ö µî ´Ü¼ø ±âÈ£Â÷ÀÌ¿¡ ÀÇÇÑ °æ¿ì |
|