North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale is an exhibition that reflects the culmination of an eight-year exploration into the art of the Democratic People's Republic of Korea (DPRK). During that time, BG Muhn made nine research trips to the DPRK to pursue a growing passion for the uniqueness and mystery surrounding Chosonhwa, the North Korean name for traditional ink wash painting on rice paper. The DPRK is notably the only country in the world after the fall of the Soviet Union in 1991 that continues to create Socialist Realism art. This exhibition is likely the first opportunity for people around the world to see North Korean Chosonhwa in such a broad range of images within Socialist Realism art.

저자 : 편집부 Author BG Muhn is a visual artist and a professor in the Department of Art and Art History at Georgetown University. He has achieved substantial and noteworthy professional recognition through solo exhibitions in venues such as Stux Gallery in the Chelsea district of New York City, Ilmin Museum of Art in Seoul and the American University Museum in Washington, DC. Muhn has received several awards for his artistic merits, including the Maryland State Arts Council’s Individual Artist Award and Best in Show at the Bethesda Painting Awards competition. His artwork has been collected in museums and galleries that include the National Museum of Modern Art in South Korea. He also has received acclaim in reviews and interviews with The New York Times, Art in America and CNN. In addition to actively showing his artworks, Muhn has taken a strong interest in and studied the relatively unknown field of North Korean art. He made numerous research trips to Pyongyang, North Korea over the last six years and visited art museums such as the Choson National Art Museum and creative institutions including Mansudae Art Studio to conduct interviews of artists, art historians and museum staff. He has delivered lectures on North Korean art at academic venues and cultural centers including Georgetown, Johns Hopkins, Columbia and Harvard universities, and the Water Mill Center for Robert Wilson in Long Island, the Korea Society in New York and the Wilson Center in Washington, DC. His research on North Korean art culminated in a book, Pyongyang Art: The Enigmatic World of Chosonhwa, which was published in Korean by Seoul Selection in the spring of 2018. The English version of the publication will be available in the summer of 2019. Muhn has curated two major North Korean art exhibitions, one at the American University Museum in Washington DC in 2016 and the other most recently at the Gwangju Biennale in 2018. North Korean Art: Paradoxical Realism was published in English in conjunction with the Gwangju Biennale.

A Journey of Investigation 6 Relying on Primary Source Research 8 What Has Been Developed Over the Past Six Decades of North Korean Art 10 Ink Wash on Rice Paper 14 The Expression of North Korean-ness 16 The Distinctive Characteristics of Chosonhwa 22 Socialist Realism Ideological Painting 24 The Core of Socialist Realism Collaborative Painting 27 Propagandistic Elements in Collaborative Painting Melodramatic Traits 41 Kitsch Elements Beloved by North Korean 43 Landscape Painting with Unexpected Power 44 Waves in Ink Wash Painting Rice Paper 50 The Obsession to Capture Reality 53 The Tradition of Literati Painting in the DPRK 55 The Auspicious Connotations to the People of the DPRK 62 Uniformity or Assumption 65 Art as the Triumph of Transcending Life's Struggle 67 A Manifestation of Human Spirit & Emotion 69 Art Can Be Still Victimized by Political Ideology 71 The list of artworks 75 About the Author

BG Muhn started his art career after receiving a bachelor’s from California College of the Arts and a master’s from the University of Maryland-College Park. Eight years after arriving in the U.S., he beat out hundreds of competitors to gain a professorship at the Department of Art and Art History of Georgetown University, where he is now a tenured professor. 　　　　As an artist, Muhn has held solo exhibitions at Stux Gallery in Chelsea, New York, Gallery Scape and Ilmin Museum of Art in Seoul, and American University Museum in Washington, D.C. His works have been reviewed by The New York Times, The Washington Post, and Art in America and he has been interviewed by CNN. His works are displayed at National Museum of Modern and Contemporary Art, Korea (MMCA) and Seoul Museum of Art (SeMA). 　　　　Intrigued by Pyongyang art since 2011, Muhn has embarked on a new challenge as an artist. Contemporary North Korean Art: The Evolution of Socialist Realism (June 18-August 14, 2015), an exhibition he curated for American University Museum in Washington, D.C., in 2016, drew major attention from the American media. He was also selected to curate the exhibition North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale in South Korea, preparing to introduce North Korean art focused on collaborative painting. He has traveled to the North Korean capital nine times to interview artists there, attend exhibitions, visit museums, collect materials, and perform analysis, culminating in the March 2018 publication of his book Pyongyang Art: Uncovering the Complex Layers of Chosonhwa (Seoul Selection).