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A Visually Rich Journey into the Desires, Aesthetics, and Identities Woven into Korea¡¯s Traditional Dress
ÆÐ¼ÇÀº ½Ã´ë¿Í Áö¿ª, ¼¼´ë¸¦ ÃÊ¿ùÇØ Àΰ£ÀÌ ²ÙÁØÈ÷ °ü½ÉÀ» °¡Á®¿Â ¿µ¿ªÀÌ´Ù. ¿À´Ã³¯ ¿ì¸®°¡ ÇѺ¹À̶ó ºÎ¸£´Â ÀüÅë º¹½ÄÀÇ Çü½ÄÀÌ ÀÚ¸® ÀâÀº Á¶¼±½Ã´ë ¿ª½Ã ¿¹¿Ü´Â ¾Æ´Ï¾ú´Ù. º¹½ÄÀº ´Ü¼øÈ÷ ¸öÀ» °¡¸®´Â ¼ö´ÜÀÌ ¾Æ´Ï¶ó ½ÅºÐ°ú ¼ºº°, »çȸÀû Áú¼¿Í ´õºÒ¾î °³ÀÎÀÇ ¿å¸Á°ú °¡Ä¡°ü, ¹Ì¿¡ ´ëÇÑ °¨°¢À» µå·¯³»´Â Áß¿äÇÑ ¾ð¾î¿´´Ù.
¾ö°ÝÇÑ ½ÅºÐÁ¦ »çȸ ¼Ó¿¡¼µµ »ç¶÷µéÀº ¿ÊÀ» ÅëÇØ ÀÚ½ÅÀ» Ç¥ÇöÇϰí Á¤Ã¼¼ºÀ» ±¸ÃàÇϰíÀÚ Çß´Ù. ´ÜÁ¤ÇÑ Â÷¸²À» Àΰ£ÀÇ ´ö¸ñÀ¸·Î ¿©°Ü ¾ðÁ¦³ª ǰÀ§¸¦ ÁöŰ·Á ÇÑ À̵éÀÌ ÀÖ¾ú´Â°¡ Çϸé, º¹½ÄÀ» ÅëÇØ ÀÚ½ÅÀÇ »çȸÀû À§Ä¡¸¦ µå·¯³»°Å³ª ÇÑ ´Ü°è µµ¾àÇϱ⸦ ²Þ²Ù´Â À̵鵵 ÀÖ¾ú´Ù. ¸Ó¸® ¸ð¾ç°ú Àå½Å±¸, Ç㸮¶ì¿Í º¹»öÀÇ Â÷ÀÌ´Â °ð °³ÀÎÀÇ Àǽİú ¿å¸ÁÀÌ Åõ¿µµÇ´Â ¼ö´ÜÀ̾ú´Ù.
¡ºThe Hidden Allure of Hanbok¡»Àº ÀÌ·¯ÇÑ Á¶¼±½Ã´ë º¹½ÄÀÇ À̸鿡 ¼û°ÜÁø À̾߱⸦ Çö´ëÀû ½Ã°¢°ú ¾ð¾î·Î Ç®¾î³½´Ù. È¸È ÀÚ·á¿Í À¯¹°, ¹®Çå ±â·ÏÀ» ¹ÙÅÁÀ¸·Î ÇѺ¹À» °íÁ¤µÈ ÀüÅëÀÌ ¾Æ´Ñ, ÀýÁ¦¿Í ¿¸Á, ±Ô¹ü°ú °³¼ºÀÌ ±³Â÷ÇÏ´Â »ì¾Æ ÀÖ´Â ¹ÌÇÐÀÇ Ã¼°è·Î Á¶¸íÇÑ´Ù.
ÀÌ Ã¥Àº ÇѺ¹À» °ú°ÅÀÇ À¯»êÀ¸·Î ¸Ó¹°°Ô ÇÏÁö ¾Ê´Â´Ù. ÀÏ»óÀÇ ¿Ê¿¡ ´ã±ä Àǹ̸¦ Çϳª¾¿ ¤¾î ³ª°¡¸ç, ÇѺ¹ÀÌ ¾î¶»°Ô Àΰ£ÀÇ ¿å¸Á°ú »ó»ó·Â, ±×¸®°í Çѱ¹Àû ¹ÌÀǽÄÀ» Á¤±³ÇÏ°Ô ´ã¾Æ³» ¿Ô´ÂÁö¸¦ º¸¿© ÁØ´Ù. ¡ºThe Hidden Allure of Hanbok¡»Àº ¿À´Ã³¯¿¡µµ ¿©ÀüÈ÷ À¯È¿ÇÑ, Çѱ¹ ÀüÅë ÀǺ¹°ú ¹Ì¶ó´Â ¿À·¡µÈ À¯»êÀ» »õ·Ó°Ô ¸¶ÁÖÇÏ°Ô ÇÏ´Â ¾È³»¼´Ù.
Fashion has been a universal human concern across time, place, and culture. In Joseon Korea-where the forms of dress we now recognize as hanbok took shape-clothing was never merely practical or ornamental. What one wore reflected not only social rank and gender roles, but also personal ambition, moral values, and an acute awareness of beauty.
Even within a rigidly hierarchical society, individuals sought ways to express themselves through dress. Some emphasized dignity and propriety, believing that a well-maintained appearance was a moral obligation. Others used clothing as a means to aspire upward, hoping that refined attire might signal status beyond one¡¯s given position. Hairstyles, headgear, belts, and subtle variations in color all became tools through which identity and desire were negotiated.
The Hidden Allure of Hanbok brings these untold stories of Joseon-era fashion into focus through a modern lens and accessible language. Drawing on visual materials, historical records, and cultural context, the book reveals hanbok as a living system of aesthetics-one shaped by restraint and aspiration, tradition and individuality.
By uncovering the meanings embedded in everyday garments, this book invites readers to see hanbok not as static heritage, but as a refined expression of human desire and cultural imagination-an enduring legacy of Korean beauty that continues to resonate today.
»ó¼¼À̹ÌÁö![]() ÀúÀÚ¼Ò°³ÀúÀÚ : À̹ÎÁÖ
¼º±Õ°ü´ëÇб³ ÀÇ»óȰú¸¦ Á¹¾÷Çϰí, ¼º±Õ°ü´ëÇб³ ´ëÇпø¿¡¼ ¡¸Á¶¼±½Ã´ë Ã¥·ÊÀÇ½Ä ¹× º¹½Ä¿¬±¸¡¹·Î ¹Ú»çÇÐÀ§¸¦ ¹Þ¾Ò´Ù. ÇöÀç´Â ¿Õ½Ç º¹½ÄÀº ¹°·Ð ¿¬±¸ ¿µ¿ªÀ» È®ÀåÇÏ¿© ÀÏ¹Ý »ç´ëºÎ°¡ÀÇ Â÷¸²»õ¿Í ¸Ú³»±â»Ó ¾Æ´Ï¶ó °³Çױ⠼±¸ÀÎÀÌ º» ÇѺ¹ÀÇ ¿¹¼ú¼º°ú âÀǼºÀ» ÅëÇØ ÇѺ¹ÀÇ ¾Æ¸§´Ù¿òÀ» Àç¹ß°ßÇÏ´Â µ¥ ÁÖ¸ñÇϰí ÀÖ´Ù.
´ëÇ¥ ³íÀú·Î´Â ¡ºÁ¶¼± »ç¶÷µéÀÇ Â÷¸²»õ, ¸Ú³»±â·Î ÅëÇÏ´Ù¡», ¡ºÁ¶¼± ¿Õ½ÇÀÇ ¹Ì¿ë°ú Ä¡Àå¡», ¡º¿ëÀ» ±×¸®°í ºÀȲÀ» ¼ö³õ´Ù¡», ¡ºÄ¡¸¶Àú°í¸®ÀÇ ¿å¸Á¡», ¡¸Á¶¼± ÈıâÀÇ ÆÐ¼Ç¸®´õ, ±â»ý¡¹, ¡¸¿Ü±¹ÀÎÀÇ ´«¿¡ ºñÄ£ °³Çױ⠺¹½Ä¹®È¡¹ µîÀÌ ÀÖ´Ù.
Lee Minju
Lee Minju graduated from the Department of Fashion Design at Sungkyunkwan University and received her Ph.D. from the same university with a dissertation titled ¡°A Study of the Rituals and Costumes of the Joseon Dynasty.¡± Her research focuses not only on royal attire but also on the dress and stylistic expressions of the general nobility. She rediscovers the beauty of hanbok through the artistry and creativity of hanbok as perceived by Westerners during the period of the opening of ports.
Her major publications include The Attire of Joseon People: Expressing Style, Beauty and Grooming of the Joseon Royal Family, Drawing Dragons and Embroidering Phoenixes, The Desire of Chimajeogori, Gisaeng: Fashion Leaders of the Late Joseon Dynasty, and Costume Culture of the Opening Period as Seen Through Foreign Eyes.
¸ñÂ÷Part 1. IN PURSUIT OF STYLE
The Fashionable Gentlemen of Hanyang: Topknots and Horsehair Headbands
The Land of Hats and Gat
Even If the Neck Breaks: The Burden of Beauty and the Gache
Hats Desired by the French: Jobawi and Nambawi
A Feast of Festivities: White within Off-White and Colors within White
A Shifting Aesthetic Consciousness: Adding a Touch of Flair
Byeolgam: Joseon¡¯s Top Fashion Leaders
Gisaeng: Joseon Entertainers and Style Icons
Undergarments More Stylish Than the Petticoat
Satisfying All Five Senses: The Sound of Beating Cloth
SPECIAL SECTION: Korean Craftsmanship and Hanbok
Part 2. PINING FOR SOCIAL ASCENSION
An Enduring Standard of Beauty: Skin Like White Jade
No More Than Plain Silk and Ramie: The Royal Selection List
Chima Jeogori: The Rediscovery of Femininity
Colorfully Clad, Beauty Enhanced: The Dallyeong
Embroidering Hope for Success
Norigae: Stealing a Gisaeng¡¯s Heart
Becoming King at Last: The Guryumyeon and Gujangbok
Becoming Queen at Last: The Jeokui and Susik
Tears of the Dragon: The Ikseongwan and Gollyongpo
The Cheollik: A Royal Gift Evokes Tears
SPECIAL SECTION: Fashion Style Differences between Korea, China, and Japan |
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